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This was one of the opening images of the film.
It was meant to portray a theory that drums were first invented
in Africa by someone beating on a hollow log. The narration related
a fanciful story of a hunter who might have lost his prey by tripping
over such a log, and beating on it out of frustration.
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This scene represented another theory, this one on the creation of the stretched skin
drum. According to the narration, hunters tanning animal hides may have stretched
the hides over holes in the ground to allow air to circulate, allowing it
to dry out more efficiently. The children in this scene discovered the resonance
this created by throwing rocks onto the stretched skin, while the hunter
runs up in the background to shoo them away.
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Detail from the scene above.
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This scene was intended to represent the spread of various types of skin
drums across the different cultures and groups of the African continent.
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A detail from the scene above.
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This scene was intended to show how women and children used the ceramic drum
for celebration and dance. The theory was supposed to be that the ceramic
drum developed from cooking vessels used by women. I have to admit, the scene
seemed to be little more than an excuse to be a bit prurient, but that's
what Betty asked for.
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Details from the scene above.
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This scene represented a historical central African culture which purportedly
honored the royal drums as representatives of the king. Offerings and worship
were presented to the drums in the king's stead. I can't vouch for the veracity
of the information, but I suppose it was well researched.
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Detail from the above scene.
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These two images were intended as faux African rock art. They were done in
the style of various periods of rock art, to represent aspects of the culture
which were tied in to the story of the drums of Africa by the narration.
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